stillast*r

It just seems like we're taking all the last vowels out of words now.

Obamacare got some very good news on Thursday.

In 2009, the Congressional Budget Office predicted that a medium-level “silver” plan — which covers 70 percent of a beneficiary’s expected health costs — on the California health exchange would cost $5,200 annually. More recently, a report from the consulting firm Milliman predicted it would carry a $450 monthly premium. Yesterday, we got the real numbers. And they’re lower than anyone thought.

…The California exchange will have 13 insurance options, and the heavy competition appears to be driving down prices. The most affordable silver-level plan is charging $276-a-month. The second-most affordable plan is charging $294. And all this is before subsidies. Someone making twice the poverty line, say, will only pay $104-a-month.

Sparer plans are even cheaper. A young person buying the cheapest “bronze”-level plan will pay $172 — and that, again, is before any subsidies.

California is a particularly important test for Obamacare. It’s not just the largest state in the nation. It’s also one of the states most committed to implementing Obamacare effectively. Under Gov. Arnold Schwarzenegger — remember how that really happened? — California was the first state to begin building its insurance exchanges. The state’s outreach efforts are unparalleled. Its insurance regulators are working hard to bring in good plans and make sure they’re playing fair. If California can’t make the law work, perhaps no one can. But if California can make the law work, it shows that others can, too.

And perhaps others will. We’re beginning to see competition drive down proposed rates in some exchanges around the country. Remember Maryland, where CareFirst grabbed headlines with a shocking 25 percent proposed increase in rates? More plans have streamed in with lower bids. Kaiser Permanente, for instance, is only increasing its rates next year by 4.3 percent — a modest increase that will make CareFirst’s proposal almost impossible to sustain. My guess is when the exchange actually opens in October, CareFirst will have dropped its price substantially. If they don’t, then Kaiser and others will grab all the market share.

The Washington Post, “Some Very Good News for Obamacare.”

Well, well, well.

(via inothernews)

When was super depressed, I wasn’t working—I was always too depressed. Hemingway did his best work when he didn’t drink, then he drank himself to death and blew his head off with a shotgun. Someone asked John Cheever, “What’d you learn from Hemingway?” and he said “I learned not to blow my head off with a shotgun.” I remember going to the Michigan poetry festival, meeting Etheridge Knight there and Robert Creeley. Creeley was so drunk—he was reading and he only had one eye, of course, and had to hold his book like two inches from his face using his one good eye. But you look at somebody like George Saunders—I think he’s the best short story writer in English alive—that’s somebody who tries very hard to live a sane, alert life.

You’re present when you’re not drinking a fifth of Jack Daniel’s every day. It’s probably better for your writing career, you know? I think being tortured as a virtue is a kind of antiquated sense of what it is to be an artist.

In an interview with The FixMary Karr debunks the toxic mythology that it is necessary to be damaged in order to be creative. My own vehement defiance to that mythology is what led me to choose Ray Bradbury – the ultimate epitome of creating from joy rather than suffering – as the subject of my contribution to The New York Times’ The Lives They Lived.

Pair with Karr on why writers write.

(via explore-blog)

(Source: , via explore-blog)

pitchfork:

thesufjanstevensmodel5000:

Pitchfork’s comma use suggests they may have been bought out by The Guardian. Most American style guides recommend keeping punctuation inside quotes, while many blogs seem to follow the British approach, which is certainly more logical (it avoids making punctuation an accomplice), even though I find it aesthetically discomforting (and anti-American!). There is one incongruity: Ed Droste’s first quote conforms to common rules of attribution (he said, she said, etc.), keeping the comma inside the quote. The visual inconsistency irks me, in spite of its logic. I would also like to point out an unfortunate “missed opportunity” for a semi-colon (the most provocative of punctuation marks whose prevalence on grad school dissertations is now vindicated by its near absence on Twitter). Otherwise, the post reflects solid grammar (album titles in italics, song titles in “quotes,” and intelligent distinction between “their” and “they are.”) I should point out that TV shows should technically be in italics, but who’s keeping track? Apocalypse Wow. (Just one more thing: whatever happened to “smart quotes”?)

It is nice to know people out there are paying as much attention to our punctuation as we do! For the record, as a rule, we keep commas and periods outside of song and TV show titles, but inside of normal quotes (the final period in the story cited above is outside of the quotes because Ed Droste did not end his original tweet with a period and we wanted to quote him as accurately as possible). For those interested in reading even more about this sort of thing (millions, surely!), please check out this Slate piece about logical punctuation featuring insight from our own editor-in-chief, Mark Richardson.

My nerds all come together now in a circle.

pitchfork:

thesufjanstevensmodel5000:

Pitchfork’s comma use suggests they may have been bought out by The Guardian. Most American style guides recommend keeping punctuation inside quotes, while many blogs seem to follow the British approach, which is certainly more logical (it avoids making punctuation an accomplice), even though I find it aesthetically discomforting (and anti-American!). There is one incongruity: Ed Droste’s first quote conforms to common rules of attribution (he said, she said, etc.), keeping the comma inside the quote. The visual inconsistency irks me, in spite of its logic. I would also like to point out an unfortunate “missed opportunity” for a semi-colon (the most provocative of punctuation marks whose prevalence on grad school dissertations is now vindicated by its near absence on Twitter). Otherwise, the post reflects solid grammar (album titles in italics, song titles in “quotes,” and intelligent distinction between “their” and “they are.”) I should point out that TV shows should technically be in italics, but who’s keeping track? Apocalypse Wow. (Just one more thing: whatever happened to “smart quotes”?)

It is nice to know people out there are paying as much attention to our punctuation as we do! For the record, as a rule, we keep commas and periods outside of song and TV show titles, but inside of normal quotes (the final period in the story cited above is outside of the quotes because Ed Droste did not end his original tweet with a period and we wanted to quote him as accurately as possible). For those interested in reading even more about this sort of thing (millions, surely!), please check out this Slate piece about logical punctuation featuring insight from our own editor-in-chief, Mark Richardson.

My nerds all come together now in a circle.

Phil Spector? (via Amanda Bynes in Court)

Phil Spector? (via Amanda Bynes in Court)

Had to. #thisday #almostkilledme #sometimesoon #Imightsaythewrongthing #peonieshelp (at Condé Nast Building)

Had to. #thisday #almostkilledme #sometimesoon #Imightsaythewrongthing #peonieshelp (at Condé Nast Building)

Before people start thinking I’m some Hollywood weirdo advocating open marriage, let me quickly say, I’m just talking about kissing here. The fact of the matter is, marriage is a serious business and kissing is not. Kissing in and of itself can’t create offspring or cause life-threatening disease. Just because I want to kiss someone doesn’t mean I want to love that person, share a bed with him, remind him to take his Lipitor, tell him not to use so much salt, or share one AOL e-mail account. — I need her to be the Ambassador of Me. (via Mindy Kaling: Inventing the Perfect Kissing Device)
I think there are two types of happiness in a work culture: Human Resources Happy and High Performance Happy. Fast-growth success has everything to do with the latter and nothing to do with the former. Unfortunately, 99 percent of the discussion and solutions are focused on Human Resources Happy. Here’s how I define H.R. Happy: Bosses are at least superficially nice and periodically pretend to be interested in employees as people. These employees can count on birthday-cake celebrations and shallow conversations about what their hobbies are outside of work. This approach allows H.R. people to do the job they love — compliance and regulations — instead of the job they should be doing — finding and recruiting the best available talent. And this may work in a call-center environment or in a second-rate corporate culture where people resign themselves to the fact that they will get more if they accept being treated like children. But these H.R. Happy employees can have a rough time at fast-growth companies when they meet people who are High Performance Happy. Think of an Olympic athlete jumping into the pool for those 4:30 a.m. laps. High Performance Happy is an attitude with a skill set that says we are on a mission that is bigger than any one of us. We find our happiness in being on a world class team that is making a difference. H.R. Happy says we should do what pleases us first — bring your dog to work! High Performance Happy says I will fight for every inch. I will be there at 4:30 a.m. no matter what and until the last dog dies. Respect is core to the success of High Performance Happy, and it is based on what you are giving not on what you are taking. For example, if one person has a sick child, we all have a sick child, and we all give more that day. And this is why High Performance Happy builds deeper bonds. Notes, notes, notes. (via Where the Happy Talk About Corporate Culture Is Wrong)
Define your culture by articulating what it takes to be successful at your company… (via The Real Meaning of Corporate Culture)
Look at those flooooooors.

Look at those flooooooors.

(Source: expensivelife, via veronicalovesarchie)

Dream job. Nerrrdz.

wnyc:
NPR is looking for a new announcer. Translation: You get to say “This is NPR” to millions of people every day. 
You’ll record all of NPR’s “support for this program comes from” announcements in our national programs, and edit/produce/traffic them though our system. Heard by millions of people each week, you’ll get to say, “This is NPR” each day.
You should bring a voice that’s clear, confident, and welcoming; a working style that makes the complex look simple; and be a bit tingly at the thought that your voice will be part of public radio’s daily connective tissue all across the country.
Cool.
-Jody, BL Show-

Dream job. Nerrrdz.

wnyc:

NPR is looking for a new announcer. Translation: You get to say “This is NPR” to millions of people every day. 

You’ll record all of NPR’s “support for this program comes from” announcements in our national programs, and edit/produce/traffic them though our system. Heard by millions of people each week, you’ll get to say, “This is NPR” each day.

You should bring a voice that’s clear, confident, and welcoming; a working style that makes the complex look simple; and be a bit tingly at the thought that your voice will be part of public radio’s daily connective tissue all across the country.

Cool.

-Jody, BL Show-

One of the greatest threats we face is, simply put, bullshit. We are drowning it. We are drowning in partisan rhetoric that is just true enough not to be a lie; in industry-sponsored research; in social media’s imitation of human connection; in legalese and corporate double-speak. It infects every facet of public life, corrupting our discourse, wrecking our trust in major institutions, lowering our standards for the truth, making it harder to achieve anything.

Jon Lovett’s commencement address to Pitzer College. (via theatlantic)

Mandatory repost of the day!

I’m worried about Brad. (via Tom & Lorenzo)

I’m worried about Brad. (via Tom & Lorenzo)