This year was, relatively speaking, a tentative and uncertain one for American movies. What this Oscar contest offers is a series of choices between the good-but-not-great and the great-but-flawed. The reason that matters is that masterpieces raise our standards and sharpen our thinking. A year in which three or four all-out great movies are at the center of the race raises the bar in every category because they remind us that there’s a difference between the merely good and the truly outstanding.
— Life lesson for the week, buried in the Oscarmetrics.